Verona Collection Hijabs: A Closer Look at the Range
There are several ways to approach a Verona Collection hijab. You might begin with a colour you would love beside a favourite dress, a rectangle wide enough for the drape you have in mind, or a familiar fabric description. Looking more closely at the label reveals useful differences between its scarves, including details that their names alone do not explain.
Verona also has a documented story: a modest clothing business founded in 2015, followed by participation in a retail development programme and a wider clothing launch. Understanding that background gives the scarves a setting. The following guide brings together that history, six named scarf ranges and ideas drawn from the label’s clothing photographs. Catalogue details were checked on 28 October 2026; the proposed combinations are invitations to experiment with your own wardrobe.
Verona’s beginnings and the wardrobe it set out to offer
Verona Collection’s own Frontpage introduction states that the business was founded in January 2015 and is based in the USA and UK. That is the documented starting point for its story. The years that followed brought retail connections through Macy’s and then ASOS, discussed below. Source: Verona Collection, Frontpage; Macy’s 2018 launch announcement; ASOS 2019 annual report.
The Workshop at Macy’s alumni profile identifies Lisa Vogl as a founder and describes the difficulty she had finding clothing that combined modest coverage, fashion and affordability after becoming Muslim. The profile also notes her professional fashion photography background. It presents the business as a response to a wardrobe need, with scarves belonging alongside tops, trousers, cardigans and dresses. Source: The Workshop at Macy’s, Verona Collection alumni profile.
Vogl names Alaa Ammuss as her fellow founder in a May 2020 interview published by the Asian American Journalists Association. In that account, she describes wanting clothing that suited her American style as well as her coverage preferences and budget. This gives the label’s beginnings a more personal and specific context than a general promise of elegant fashion. Source: Asian American Journalists Association, interview with Lisa Vogl, 22 May 2020.
A Macy’s announcement dated 1 February 2018 records Verona as a graduate of its 2017 programme and announces an online launch for 15 February 2018. That selection included clothing and hijabs; the release described features such as asymmetric dress buttons and both sleeveless and long-sleeved cardigans. These are details of that historical launch. Source: Macy’s, The Workshop at Macy’s Alumni Verona Collection Launches on Macys.com in February.
There is also a documented ASOS connection. Its 2019 annual report places Verona within the account of its first Modest Fashion edit, launched that April. The report includes Verona representative Hassan Mawji’s description of the partnership and the collection selected with ASOS. Taken together, these records show particular retail collaborations in the label’s development; they do not establish where a specific scarf is sold today. Source: ASOS, Annual Report and Accounts 2019, “Our modest fashion edit”.
There is a useful styling idea in looking at a scarf as part of a wardrobe. A colour that seems rather ordinary when folded on its own may be exactly what a patterned skirt needs. Another scarf may be the enjoyable part of an outfit made from familiar plain clothes. You can begin with the piece you already want to wear and work outwards, without expecting the hijab to supply every interesting detail.
Six scarf names, with their stated details
Verona’s Hijabs page groups its scarves into named ranges. The table records the fabric fields on the individual product pages, using their own terminology. It also gives selected measurements where those pages state them clearly. The name of a range and the fibre description deserve separate attention.
| Scarf range or product | Fabric guide | Useful detail from the page |
|---|---|---|
| Premium Viscose, within Luxury Viscose | 100% viscose | Basic: 27 × 70 inches; Maxi: 36 × 70 inches |
| Ultra Soft Modal | 100% polyester | The description calls it faux modal; its two Maxi measurements differ |
| Pure Modal | 100% viscose | The page describes a light scarf with slight texture |
| Jersey Hijab, within Luxury Jersey | 95% viscose, 5% spandex | 25 × 70 inches |
| Luxury Satin | 100% polyester | 35 × 70 inches; described as smooth and medium weight |
| Luxury Chiffon | 100% polyester | 67 × 37 inches; described by Verona as hand dyed |
Sources: Verona Collection, Hijabs range overview and the individual Premium Viscose, Ultra Soft Modal, Pure Modal, Jersey Hijab, Luxury Satin and Luxury Chiffon product descriptions.
The two Modal names need different readings
Ultra Soft Modal and Pure Modal are separate Verona names. The first page uses the phrase “faux modal” and lists polyester in its fabric guide; the second lists viscose. If a particular fibre is part of what you want, use the composition field and ask for clarification of the sewn label where necessary. Treating the two names as interchangeable would lose a material distinction made by the brand itself.
The Ultra Soft Modal page also needs a size clarification: its selector shows Maxi as 36 × 70 inches, while its written description gives 36 × 66 inches. Ask Verona which measurement applies to the particular item you are considering. Four inches could matter to a wrap that depends on a long loose end. Source: Verona Collection, Ultra Soft Modal; fibre comparison also uses Pure Modal.
Premium Viscose and Jersey Hijab offer different proportions
Within the stated Premium Viscose measurements, Basic and Maxi have the same length; the difference is width. That makes the larger option a question of how much fabric you want across the scarf, rather than an automatically longer end. The page recommends Basic with a cap and describes Maxi as offering more folding scope. These are the maker’s suggestions, to be considered alongside your own coverage preferences. Source: Verona Collection, Premium Viscose.
The Jersey Hijab’s listed rectangle is narrower again. Its stated blend also differs from the viscose-only description above. Neither point tells you how firmly to wrap it or how it will fit your particular arrangement. A familiar scarf laid flat can help you picture a new set of proportions before deciding whether you want a close arrangement or a broader drape. Source: Verona Collection, Jersey Hijab.
Luxury Satin and Luxury Chiffon are distinct options
These two Verona entries both list polyester, but their descriptions and dimensions are different. Luxury Satin is presented as a smooth, medium-weight scarf. Luxury Chiffon is described as very light, with hand-dyed colour. Those are the label’s descriptions, rather than a reason to expect the two scarves to fall identically. Sources: Verona Collection, Luxury Satin and Luxury Chiffon.
For a dress with an elaborate neckline, you might want the scarf to make a simple, uninterrupted shape. For a very plain dress, you may enjoy more fabric across one shoulder. Consider the arrangement you want to create, then choose the particular scarf whose size and handling work for it. The word luxury alone cannot decide that relationship for you.
Looking at Verona’s clothing for scarf ideas
The label’s clothing photographs offer a more specific starting point than a list of occasions. Notice where the garment already has detail and where you would like the scarf to fall. The following observations refer to the official product photographs; the suggested adaptations are styling possibilities, rather than claims about how the clothes fit every wearer.
Alessia: a collar and a related blue
The official photograph of the Alessia Modest Dress – Teal shows a collared dress with a buttoned front, long sleeves and gathering around the waist. The model wears a lighter blue scarf with it. The photograph does not identify that scarf as one of the six products above, so its exact fabric should not be guessed. Source: Verona Collection, Alessia Modest Dress – Teal, product photograph.
What you can take from the image is the colour relationship: the scarf and dress belong together without being identical. You could explore a similar relationship with a blue dress already in your wardrobe and a scarf that is visibly lighter or darker. The collar gives you another choice. Decide how much of it you enjoy seeing, then arrange the scarf while maintaining the neck and chest coverage you prefer.
If your own dress has a contrasting collar, try the scarf over it as well as beside it. Covering a decorative detail is a valid styling choice when you prefer the resulting line.
The Angle Top: deciding where the diagonal belongs
Verona’s grey Angle Top photograph shows a round neckline, long sleeves, an asymmetric hem and a side fastening with a long hanging strap. Those visible details give a scarf arrangement something concrete to respond to. Source: Verona Collection, The Angle Top, grey product photograph.
One possible approach is a drape that finishes higher on the body, leaving the diagonal hem and hanging detail visible. Another is a longer scarf fall, deliberately allowing a second line through the outfit. Neither needs to copy the direction of the hem exactly. Try the alternatives with the trousers or skirt you would wear and look at the full combination.
A grey scarf could keep the colour relationship close; a deep blue or muted pink could introduce another element. These are proposed colours, not a claim that the photograph shows a coordinated set. You can use the same exercise with any asymmetric top you already own.
Dusty Rose and Flow: soft colour with a defined waist detail
The Dusty Rose and Flow photograph shows a long pink dress, sleeves gathered at the wrists and a braided-looking cord wrapped at the waist. The scarf is absent from that image, leaving the wearer to choose how to complete the outfit. Source: Verona Collection, Dusty Rose and Flow, product photograph.
You could begin with a rose scarf for a close colour relationship, then compare it with a deeper plum or a pale neutral. The cord already adds texture, so a plain scarf would offer one way of keeping the elements distinct. If you prefer a patterned scarf, try a small area of that pattern near the shoulder and decide whether you like it beside the waist detail.
The interesting choice is where the scarf ends. A shorter front fall leaves the cord visible; a broad chest drape changes how much of the bodice you see. Start with your preferred coverage and make the decorative decision within it.
Making the colour choice your own
A catalogue photograph can give you an idea without supplying your entire outfit. Before choosing a scarf colour, take the actual garment out of the wardrobe. Set aside the matching shoes, bag and jewellery for a moment, and concentrate on the relationship between those two large areas of colour. That is enough for a useful first decision.
Suppose you have a dark blue dress. A lighter blue scarf could make a connected combination; a warm brown could create a different relationship; a pale scarf could introduce a clearer separation at the neckline. You do not have to decide which approach is best in general. Decide which one you enjoy with that dress, for the day you have planned.
If you want to try colour without changing the whole outfit, keep the shoes and bag you ordinarily use. That lets you judge the scarf on its own contribution. Later, you might repeat a small amount of its colour elsewhere, but there is no need to find four matching accessories before wearing it.
For a printed garment, choose whether the scarf will repeat a colour already in the print or introduce a separate one. A tiny accent colour can be an interesting starting point: a little blue in a floral dress, for example, could become a larger area when used in the scarf. If that feels too strong, return to a colour that occupies more of the garment.
Our guide to wearing colourful hijabs with your existing outfits explores the wider colour decision. Here, the aim is to make your chosen Verona scarf part of clothes you can picture wearing, rather than an isolated colour you admire but never reach for.
One scarf, more than one kind of day
Imagine a scarf you like with a long shirt, loose trousers and trainers. That can be the starting point for several outfits. For a day that includes an informal lunch, you could keep the same base and add a coat you enjoy wearing. For an evening visit, you might change the shoes and bag while leaving the scarf arrangement familiar. The value of the exercise is seeing what can stay.
Formal dressing does not require every component to become more elaborate. If your dress has a decorative sleeve or a beautiful fastening, you could leave the scarf plain and let that detail remain visible. If the clothes are simple, the scarf’s colour or the way it crosses a shoulder may provide the change you want. A favourite ring can be enough additional decoration.
Think about the moments between arriving and leaving, too. Will you be taking off a coat, sitting beside other guests, moving between rooms or carrying a shoulder bag? Put the outfit together with those ordinary movements in mind. A loose end that looks lovely standing still might need a different position once your bag is on. Changing its placement can preserve the look you liked without rebuilding the whole wrap.
For a working day, consider the neckline of the clothes you will actually wear. A scarf arranged over a plain long top gives you a different area to work with from one worn beside a jacket collar. Try the jacket both open and fastened. You may prefer a longer fall with one arrangement and a more contained shape with the other.
When the weather changes, begin with the complete outfit: the coat, indoor layers and amount of time outside. A scarf’s range name cannot settle whether you will find it comfortable for that day. Keep the styling choice flexible enough to use the outerwear you need, rather than choosing a beautiful drape that leaves no room for a collar.
Drape, face framing and the amount of fabric you enjoy
There is no need to assign yourself a face-shape category before experimenting with a scarf. Begin with the front edge you prefer seeing: perhaps a gently curved line, a small fold at either side or a softer arrangement that sits a little further from the cheeks. Alter one part at a time so that you can tell which change you actually like.
Try this with the clothes on, since the neckline changes the impression of the scarf. A frame that feels rather structured beside a round-necked top may look different with a collar. You can also move the loose end from the front to a shoulder without changing the front edge. That gives you another version of the same arrangement, rather than a completely new technique to learn.
If you use an undercap, put on the one you intend to wear before making the final adjustments. Decide whether you would like its edge visible or covered. Both the colour and the position can be part of your styling choice; neither has to be fixed simply because a photograph uses one particular arrangement.
Hair length does not tell you which scarf colour or range you are allowed to choose. Settle your hair in your usual comfortable arrangement, then work with the shape that is actually there. If a fold seems awkward, try redistributing the scarf before adding another layer to disguise it.
Two scarves can be an enjoyable colour experiment if you like a layered look, but begin by deciding what the second one contributes. Perhaps you want a narrow contrasting edge or a different colour over the shoulder. Practise that one effect first. If you only wanted a little contrast, a whole second wrap may be more fabric than you enjoy managing.
Accessories can be considered in the same way. Try a decorative fastening separately from a necklace, then compare the complete outfit. A piece can be lovely on its own and still be something you choose to leave out today. Our article on creating an understated hijab style offers more ideas for reducing competing details.
Care for the scarf you have chosen
The six Verona product pages discussed here give the same basic care direction: cool hand washing followed by air drying. This is the instruction reported on those particular listings. Check the care label supplied with your scarf, especially before deciding on an ironing setting or using a treatment that the short web description does not mention. Sources: Verona Collection’s six individual scarf product pages listed above.
A useful routine begins when you take the scarf off. Remove the fastenings you added and keep them somewhere separate while you put the scarf away. If you noticed a mark during the day, check the care instructions before trying to remove it; leaving a note beside the scarf can stop you forgetting about it until the next rushed morning.
Give your scarves a place where you can see what you own. You might group them by the clothes you wear them with, or keep everyday choices together and occasion pieces elsewhere. The arrangement only needs to make sense to you. If a colour is always buried underneath another pile, it is harder to remember the outfits you intended to make with it.
Keep a record of a successful combination if you find that helpful: a brief note naming the dress and scarf, or a private photograph with the coat included. It saves you having to recreate a pleasing arrangement from memory. Enjoying an existing scarf again is a useful outcome in its own right.
A label’s intention and your own reasons for wearing it
In a March 2019 interview with The Arab American News, Vogl explained that Muslim women had inspired the brand, while the clothes were intended for a wider audience interested in modest dressing. She also said that she had sought modest clothing before becoming Muslim. This provides a specific account of the designer’s intention, without assuming that everyone who wears the clothes shares one reason for doing so. Source: Sarah Kominek, Muslim-owned Verona fashion line to debut at Macy’s Fairlane, 15 March 2019.
You may enjoy learning that history, or your attachment to a scarf may be quite personal: its colour, the dress you pair it with, or an occasion on which you choose to wear it. A brand story can sit alongside those reasons. It does not need to replace them or prescribe how a finished outfit should make you feel.
If environmental or production questions influence your choice, seek evidence about the particular item and the claim being made. A fibre name, a photograph or a hand-dyed description does not by itself establish working conditions or an environmental certification. Keep those questions separate from the aesthetic pleasure of a colour you enjoy.
Verona’s range is most useful when you look closely enough to make a personal choice: which stated fabric you want, how much scarf you like arranging and which clothes you hope to wear beside it. Begin with one combination you can imagine using. Give yourself room to alter the drape, leave an accessory out or discover that the simplest pairing is the one you want to repeat.